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来源: 作者: 时间:2008-04-17 点击:
The making of the cover illustration of
GUNNM Last Order volume 2.



Equipments:
Power Mac G4 800Mhz Dual / Mac OS9.2.1 / memory 1.5GB
Scanner EPSON ES-8000 / Software Photoshop6.0、Painter6.0


As is always, it's so hard to decide the motif.
This time, the motif is Gally's back. Finally, I decided the center plan.


It is a rough sketch in Kent paper.
I didn't draw clouds here, because I planned to draw it without main lines. Color illustrations require correct drawing, so I

drew lines very carefully


I drew lines with pen in the rough sketch and erased pencil lines.
hair and shadows in color illustrations are different from monochrome pictures, but othets are not so different. When I was

using acrylic colors, I felt strong tension because it was hard to retouch. But now using digital prepress that is easy to

retouch, I can relax


I scanned the rough sketch in gray scale mode of 300dpi.
On Photoshop, I increased contrast and erased dusts. Careful works were needed to avoid troubles later.


I copied that image into a new image file of 2649 * 3925 dots and united layers.
I named it "pen sketch" and saved. I copied it and changed color mode to RGB, and cleared background layer's image.

And I made a new layer, and selected lines and painted them in right brown. Brown lines are on the transparent layer and I

changed layer composition mode to multiple(See red circle).

I named this file "w-airhole.psd" and saved. "w" means working file. I also saved selected area in Photoshop files named

"mask". And I finished preparation and closed Photoshop.


I loaded "w-aihole.psd" into Painter and started to paint pale skin color using water brush.


Water brush colors mix only before "dry". I painted deep colors without regard for overflows.


On Painter, before "dry" files must be saved as RIFF format. I don't use compression because graduation is lost. I saved

files frequently to prepare for troubles. I added pink on her face, and darkbrown to her eyes, white-orage to highlights.


Face painting was almost completed and I erased overflows using water brush eraser.


I erased all overflows. It is not time to "dry" yet.


To increase contrast, I added dark-brown.
I did it carefully because results of mixture of water colors are not so foreseeable.


In this stage, I did "dry".
After "dry", water colors don't mix, so I have to be careful. I started to paint her body.


I painted some bluish gray colors.


In backlight, body colors are darker than her face.
After some painting with water color brushes I did "dry", I added dark colors using drymedia and choke(slim) in

fill+flat+texture mode.


I finished painting of her body.


I started to paint background using water brush of dark brown. I don't mind unevenness here.


Before "dry", I erased colors over her body excepting fingerchips to fit in the background.


After "dry", I made a new layer and painted warm gray on the bright part of the background using drymedia and

choke(slim).
I erased overflows and made under canvas's color appear. It needed patience.


Complicated tubes are difficult to paint without overflows. So I made a new layer one by one temporaly, and painted there.


I erased overflows and united with under layer. And I repeated this process.


Bright part of the background is almost painted. It is on another layer, so easy to retouch.


I named a bright color layer "bright-part" and made a new layer under it and painted dark colors.

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